Showing posts with label Mahmoud Darwish. Show all posts
Showing posts with label Mahmoud Darwish. Show all posts

Wednesday, July 7, 2010

The Right To Return- The Palestinian Exile


Dear family,

As promised, I'm dedicating this post for the sensitive subject of the Palestinian exile. Our play, intentionally or not, highlights this subject quit often, and therefore I'd like to explain it and bring some other artistic material about this topic.

Understanding the complex situation of Palestinians in and out of their land, is crucial for the actors who're playing Um-Hisham and Mourid. Both characters speaks out about the land they've been deprived of, their lost of their home lands, and their right to be back:

Shlomo: ... So, my good women, what do you see?
(Um Hisham looks across the land-scape)
Um Hisham: Palestinians.
Shlomo: Exactly! And we are?
Um Hisham: Lunatics.
Shlomo: Protection. Homa Umigdal (i.e. the Wall and Tower model that was built at the beginning of the jewish settlements in Israel R.G)
Um Hisham: The model was a machine of invasion... Nest and egg. Ha. Your Homa Umigdal houses had many little feet and they kept on coming. Another. Another (She counts the little houses she imagines). Another. Another. Another

(First Vision: A Shade of Innocence, p. 11-12)

In the play, Um Hisham is described as a women from Rafah- a city in the Gaza strip. But her family might arrived there after they've been escaped from Palestine after the Israeli invasion in 1948 or 1967. The passage above is a small statement she makes, a tease, that rise the painful topic of the Israeli occupation and annexation of the Palestinian territories.

Following Wallace's recommended readings for the play, I've started reading the incredible book by the German scholar Christoph Reute, My Life Is a Weapon. This book, regardless of its deep insight of suicide bombers around the globe, brings out the stories of families from Palestine that try to cope with the reality of the occupation. Once the production will start, I'll provide "our" Um-Hisham" the files, for now you can have a look at the introduction of the book:


In case of Mourid- the situation is far more complex. Mourid is from East Jerusalem- an area that until the 67 war was under a Jordanian governance, and from 67 till this day under the Israeli governance. There are 66,000 Palestinians in East Jerusalem, 44,000 of them were born and raised there before the israeli occupation, and 22,000 of them are Palestinian refugees who had to move there after the war at 67.

Although both East and West Jerusalem are under Israeli governance, Palestinians from the East side suffer from serious limitations on their freedom of movement (among all other limitations). That's why Tanya and Sami are surprised to see Mourid in a clinic in West Jerusalem- because he's basically not allowed there...

You're welcome to study the following timeline of the Nakba, provided by the website of Palestine Note:


There many organizations who work to revive and keep the memory of all the Palestinian villages who had been occupied during the war at 48, and their Palestinian residents needed to flee once the Israeli forces arrived. This organization is one of them:


Until my next post, you can follow the news and keep enriching your curiosity...

All the best,
Renana






Friday, July 2, 2010

Guilts (or: Why I Didn't mention Iraq?)


I would like to begin with an apology. Apology, because my first post did not mention Iraq: The suffering, the injustice, the Gulf war, pigeons, poetry, misery, US, Bush, oil, Saddam.
Nada.

This post wouldn't clarify anything about Iraq. I promise to write about it more once I'll find the right resources: books, people, songs, and pigeons' guides.

What is about to happen on this virtual spot of mine, is a tentative game that will try to connect the puzzle pieces from the play's visions about Palestine, and the vision from Iraq.

Confused? Please, be patience. I shall explain.

After deciding to dedicate this post to the Palestinian exile through poetry, I've noticed that Dear Ms. Wallace gave me a hint-a tip of a shoelace- where to find the connections between the visions, between the politics, between the nations of Palestine and Iraq.

At Ali's vision, the last one in the trilogy, he mentions his friend, Samir, great affection to al-Sayyab. (p. 62). In short, Badr Shakir al-Sayyab (1926-1964) is an Iraqi poet, who considers to be one of the poets who revolutionize the Arab poetry, due to his usage of mythical images in order to criticize politics and social issues.

During my research about Palestinian poets and their artistic responses to the Nakba (the Disaster/The Catastrophe in Arabic, the Palestinian term for their Exodus from israel after the war in 1948), I found that many poets in the Arab world created their own artistic expression to the Palestinian Nakba-- among them, al-Sayyab.

This Iraqi poet wrote one of the most significant poems that empathized with the suffering of the exiled Palestinian people. His poem, "The Caravan of the Wretched," emphasizes the importance of brotherhood among the Arab nations:

Cain! Where is you brother? Where is your brother?
Heaven asked him burning with anger.
Cain! Where is you brother?
The star curled up in a call.
Lying in the tents of the refugees.
...
Not only did they drive us out of our
villages and cities,
but also from the habitation of men.
Today caves are filled by us
howling for hunger,
and dying unnoticed,
with no graves left behind us.

(al Sayyab, Badr Shakir, Palestine and Modern Arab Poetry, Suliman Khalid A., p.112)

There are many Arab poets that criticized the silence of the Arab world, the US and Israel to the suffering of the Palestinian people, but Wallace's choice to mention one of them in the Iraqi vision, proves me that she wants us to link them all together, not only under a play, but also politically, socially, artistically.

Al-Sayyab was a revolutionary figure in iraq, and was deprived of his profession as a teacher due to his social-communists points of view. One of his great inspirer was Mahmoud Darwish, the national Palestinian poet, who I will write more about at my next post. Meanwhile, I'll leave you with an Iraqi lullaby from the great collection "Lullabies from the Axis of Evil": a great lullabies collection from Iraq,Palestine, Korea and many more...


Until next time,
Renana